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November 2022
Sometimes you just have to stick with something until it’s done.
The concept for this work has evolved in four distinct stages – each becoming stronger and visually, more powerful.
This last iteration sees the culmination of all that work and I’m thrilled with the result.
All those hours spent thinking and stitching pay off, but you have to stick with it till you reach the ultimate vision for your concept – and sometimes, I know, it’s not easy.
With this work though, that saying, more is better, certainly paid dividends, as it’s those contrasts of colours, textures, shapes and sizes that’s deeply enthralling – and highly reminiscent of those stunning coral gardens.
We live in a beautiful, inspiring world.
Now, I have more and more ideas bombarding that vision, so it’s time to get back to those needles and threads.
Thank goodness.
November 2022
Working with the magic of a very simple, yet elegant colour palette – Black and White.
The Black/White contrast is one of the most eye-catching and well-used in the design world, but it’s also extremely satisfying and easy to stitch.
Take away colour, and your focus moves onto other design elements such as variety, repetition, pattern, and texture – and sometimes that’s a great way to re-energize and re-ignite stitch inspiration.
And the joy of working with Black and White is that you can use as little or as much as you like – small accents can be quite powerful without actually taking over a design.
This piece emulates coral bleaching – that eerily beautiful, yet devastatingly sad event that occurs across the world where coral gardens begin to die due to a number of factors, one of which is thought to be warming water temperatures.
So again, a simple needle and thread are able to offer a narrative, and perhaps gain attention to the crisis in our oceans.
October 2022
Beautiful, idyllic Rarotonga! You’d think that with a wedding and that stunning azure sea, no stitching would get done. Wrong.
‘Island time’, that wonderful concept of no rush and no stress allowed me to pick up a needle and thread daily to try to emulate those magnificent colours just outside our doors.
With an amazing natural reef lagoon, there were brightly-hued, tropical fish just metres from the shoreline.
But it was the colour of the sea and the breaking reef encircling the lagoon that prompted this small work, along with its coral-like shapes.
Then, of course, came this image, taken just before we returned home, capturing forever the sun, sand and sea, as well as some very interesting coral shapes.
Returning home with us as well, was a stunning Tivaevae quilt – with the pattern pre-cut and tacked to the backing, all ready for me to stitch.
Thank you Rarotongan Beach Resort and Lagoonarium for a wonderful stay.
Simply perfect!
August 2022
Next month my daughter’s being married in a romantic, tropical destination wedding.
So what does a Textile Artist mother do?
Well, she beads a teeny-tiny Neo-Baroque, bespoke beaded horseshoe for the happy couple, of course.
Measuring just 6cm high by 5.5 cm wide, this sweet little horseshoe is also fully beaded on the back along with just one blue sequin for that ‘something blue’ all brides should wear.
This little horseshoe will be pinned onto her gown immediately after the ceremony and has spurred me on to create something similar for a different wedding at the end of the year.
What I love about this work is that it shows the diversity of embroidery in our modern world – still.
This can’t be machine-made or mass-produced, it has to be worked by hand with thoughtfulness and affection.
It’s a beautiful coalescence of technique, tradition, and innovation.
August 2022
Sometimes you just need to focus on what feels most important at that moment.
For me, it’s been a re-acquaintance with classic hand embroidery – the sort of stitching that has no plan and no design, so the way forward is totally up to me and totally hidden.
Now while that’s exciting, it’s not always easy – and sometimes stitching doesn’t necessarily start to use its voice until it’s nearly finished.
And that was the case here.
One layer of stitching followed another, but it wasn’t until this piece was nearly completed, that I began to feel the colours, textures and patterns began to gel.
So this kind of work, is really an exercise in confidence-building, ploughing through, and daring to be different.
And if that’s not one of the best exercises I could advise for anyone, then I don’t know what is.
July 2022
We all know and understand the importance of colour – but just how exhilarating can one colour be?
Green is such a simple, evocative colour, yet it just gives and gives in terms of pleasure and usability.
Add contrast of line, shape and texture and it’s simply divine.
Used since the time of the ancient Egyptians as a symbol for regeneration and birth moving to signify wealth, merchants, bankers and the gentry in post-classical and early modern Europe.
Green is as mesmerising as it is ancient – but so useful and modern at the same time.
Here I’ve used a variety of applied fabrics and threads, working a plethora of threads, gimps, sequins and beads to create a panel of green for my Improv Sampler.
Very satisfying and highly recommended – green is delightful to work with.
July 2022
The Sydney Craft and Quilt Fair for 2022 is over and it was a huge success in its new venue at The Sydney Showground at Homebush.
It was six full-on days, but it was extremely worthwhile.
At last, after nearly two years, people could interact – to learn or simply be creative.
Here I am on set-up day, proudly standing in front of a hugely blown-up image of a piece of my work – hand embroidered I might add, which is not what I’m known for.
Thanks, IntoCraft for the amazing opportunity of being one of your Guest Artists. I loved every moment – plus I made some inspiring purchases.
So if one of these events is coming close to you, do try to attend. Everyone needs support from the traders, to the groups and guilds, and to textile artists like me.
Hand on heart, I can honestly say, I really enjoyed this one.
May 2022
Hand embroidery crosses time and borders. It’s an art and a treasure.
And I’ve recently rekindled a passion for hand embroidery leading to this work-in-progress.
Worked on a ground of beautiful navy blue wool off-cuts, the rectangular lengths have been simply stitched and patched together to form one long working ground.
There’s no plan – other than a general idea of using a different colour palette in each rectangle.
So this is my interpretation of improv stitching – of gently meandering where line and shape dictate and where colour and texture add variety and interest.
Using simple surface stitches, and drawing upon my stash of threads and bits and bobs, I’ll be working on this at my stand at the upcoming Quilt & Craft Fair at Homebush next month.
Come and say hello.
May 2022
Very pleased to be one of five artists being recognised for their significant contribution to the development of the Embroiderers’ Guild NSW Inc.
This will be celebrated with an Exhibition named ‘Treasures’, where a signature piece of each of our works will be displayed in Gallery 5, throughout May.
A Members and Guests Day will also honour the ‘Treasures’ at Guild Headquarters, 76 Queen Street, Concord West on May 11.
Enjoy the exhibitions on the ground floor as well as the Gallery shop, which is full of temptations for the avid stitcher – I never leave empty-handed.
April 2022
Delighted to have been invited to be one of three guest artists at this year’s Sydney Craft and Quilt Fair, presented by Expertise Events.
This wonderful event will be held at The Dome, Sydney Olympic Park, Homebush, from June 29 to July 3, 10 am-4 pm.
My stand ‘Design For Stitch’ will emphasize integral components needed to design your own work to stitch.
Most of all, I’ll be emphasizing making design enjoyable, sustainable and unique to you.
Come and say hi, and let’s chat about design.
There’ll also be my Top Tips talks daily at 2 pm.
Honestly, after so many lockdowns and restrictions, it’s time to network, socialize and re-energize our creative spirits.
See you there!
March 2022
Sometimes, creating is simply about going back to the basics of making marks, playing with colours and textures – of just understanding the types of marks that are pleasing and the colours that are uplifting.
Out of twelve small pieces of abstract art, this was my favourite and the one that is most successful to me – it speaks strongly of the colours I love to work with and the contrasts of line and shape that I find so appealing.
More importantly, though, it’s about never stopping, being continually curious and willing to make mistakes to learn and grow.
How do I interpret this in stitch?
That’s the next hurdle because it would be stunning.
This need to create and explore, to be curious and learn will come up with the answer I need.
I’m naming this artwork ‘Summer Sun’.
March 2022
Ozquilt Network offers a touring members’ exhibition, called Australia Wide.
This fabulous initiative by Ozquilt Network offers its members the opportunity to submit work that represents their contemporary art quilt practice.
I’m thrilled and delighted to be one of three selectors for the artworks to be included in the upcoming Australia Wide 8 touring exhibition and to be given the opportunity to submit a piece of my own work to travel with the exhibition.
Study In Green is my submission for this exhibition and was based on collage work done some time ago – something I don’t often do, but am certainly looking to further as a result of this work.
Initiating new design work is not always an easy process – and sometimes you just want to do something a little bit different.
Online entries close on April 8, 2022.
March, 2022
How privileged and honoured am I to have been selected to be a part of this wonderful publication, ‘Finding Your Thread – The Search For The Storyteller and The Artist’, curated by Anne Kempton, gallerist of Timeless Textiles in Newcastle?
The Foreword by David Eastburn, states that Anne is a ‘creative leader’ and that she ‘releases the energy and creativity of others to enable them to realize their capacities.’
That’s so true – especially for me. Anne offered me an opportunity and I took it – and I’ve worked hard for it too.
This amazing book links local and international fibre artists – a sector of the arts too long under-acknowledged.
Thanks to Anne, that is changing.
Buy your copy of ‘Finding Your Thread’ here.
February, 2022
2022 appears to be the year of hand embroidery here at Live, Love, Stitch.
And it’s amazing to be back in the rhythms of needle and thread, stitch and embellishment.
So if you’d like to follow my progress, watch my YouTube channel.
This is a wonderful way to tap into all the research I do for my Podcast, Stitch Safari – and apply some of those stunning ideas and techniques – some of which haven’t changed for centuries.
And I just want to reinforce that none of the stitches I do are complicated – rather I love simple stitches worked over and over again, just like my machine embroidery.
So join me on my hand-embroidered journey for 2022 – or pick up a needle and thread and begin your very own.
ART QUILT AUSTRALIA 2021 OZQUILT NETWORK AWARD OF EXCELLENCE 2021- see below
December 2021
An invitation to exhibit a piece of hand stitching has prompted me to reacquaint myself with a skill I’ve neglected for some time.
I’ve used our amazing ocean floors, in particular Australia’s magnificent Great Barrier Reef as inspiration, gleaning important education about the fragility of these eerily beautiful structures.
And to achieve this goal, I’ve begun two samplers – one to ensure I could actually embroider and the second to begin to delve into innovative ways to express these megastructures of coral, home to many animals and such an important eco-system.
If you’d like to follow my story, I’ve posted part one of a vlog entitled ‘A Cacophony of Stitch’ on my YouTube channel.
Now I’m beginning to build a picture of how I’d like to move forward.
Such an exciting journey. Join me as I progress through all the hurdles to create some beautiful slow stitching.
July 2021: Creating art by using art – my latest work is taking staged images of my textile and fibre art incorporating hand and machine embroidery. More images on Pinterest.
April 2021: Thrilled to receive news that the Stitch Safari Podcast has been named as one of the 20 Best Embroidery Podcasts of 2021 by Welp Magazine.
There’s a ton of work gone into beginning this Podcast, be equally, there’s a ton of pleasure too.
The research, the writing and the recording are all new to me, but I’m enjoying every moment and every journey of learning more about design through history, its effect on the art of the needle, and the relevance of stitch to communities, economies, cultures, traditions and the individual.
It’s also meant that I’ve been able to add some wonderful titles to my Embroidery History library. More and more research is being done into the importance of stitch, embroidery and textiles throughout history, resulting in some pretty amazing books and papers being written by some pretty amazing people.
Most Podcasts range from between 10-20 minutes – making them perfect for a sit-down cup of coffee or for some dedicated stitching time.
If you haven’t subscribed or listened, head on over to the Stitch Safari website where you can listen to every episode. If you love history, design and stitch, you’ll love the Stitch Safari Podcast.
May 2021: I was thrilled to be invited to officially open an exhibition of modern quilts, entitled Toward Abstraction: An Exhibition of Modern Quilts on Saturday, May 1, 2021.
If you live in Sydney or are able to visit Gallery76 at Concord West before May 30, then you’re in for a treat.
These quilts present some of the most exciting Australian artists working in the modern quilt movement today.
Each artist has had at least one of these quilts juried into Quiltcon, one of the largest exhibitions of its kind, presented by the Modern Quilt Guild of America.
Now you can see them in a beautifully curated gallery setting, right here in Sydney.
Easily a must-see exhibition for anyone interested in stitch, textiles, colour and design.
Here’s my opening speech.
ART QUILT AUSTRALIA 2021
OZQUILTNETWORK AWARD OF EXCELLENCE 2021
And Then There Were Three 2021 2m x 40cm
Accepted into the 6th Biennial Golden Textures Contemporary Art Quilt Exhibition at the Goldfields Art Gallery, Maryborough, in March, and also into one of Australia’s premier juried exhibitions, Art Quilt Australia 2021, to be held at Shoalhaven Regional Gallery, Nowra, NSW from 12 June until 3 July 2021 and Yarra Ranges Regional Museum, Lilydale, Victoria from 7 August until 31 October 2021.
This narrative textile epitomizes an Australian summer using an unusual format inspired by the magnificent Medieval embroidery, the Bayeux Tapestry.
It’s long, narrow configuration, confined by decorative borders offers a perfect opportunity for a story-telling composition, featuring gently abstracted frangipani leaves, flowers and buds, along with a simple account of a family of nesting magpies.
As a contemporary embroidered artwork, it communicates a link to historical embroideries and woven hangings used to convey or represent stories that were deemed important, worthy of being recorded.
Read how this piece was designed and made in my three-part blog series ‘And Then There Were Three’.
Pleasure, Beauty, Freedom – 2021. 2m x 40cm
This lyrical, free-flowing design, inspired by the simplicity of a morning walk, embraces the pleasure, beauty and freedom felt during the easing of Covid restrictions.
The long, narrow, narrative format encased by geometric borders, references the magnificent medieval embroidery, the Bayeux Tapestry, connecting with our rich embroidered textile history.
The story gently percolates across the central frieze with zones of breezy airiness and cascading flowering gums, at the same time concealing five raucous, clamorous Lorikeets in and around the design embodying Australia’s amazing wildlife.
Ode to Plants 2020
Selected into the inaugural Australian Textile Art Award 2020 and also for the cover of the December 2020 issue of Australia’s premier textile magazine Textile Fibre Forum.
This is my response to the dreadful bushfires, drought and lockdown we’ve all experienced here in Australia recently. It’s a nod to looking forward to better things, to renewing our enthusiasm and the wonder of nature to regenerate after such hardships.
Worked in an unusual circular format which encourages an almost riotous interlacing design full of energy and life.
Fully machine embroidered using polyester and rayon thread on a felt substrate.
Want to design your own textile and fibre art, but don’t know where to start?
The answer’s anywhere – just start. Be courageous, follow your heart and give design a go.
My name’s Cathy Jack Coupland and I’m an award-winning Australian textile artist with over 20 years’ experience designing original and unique machine embroidered artworks.
Design isn’t difficult, but it can be daunting, so we just have to make the whole process enjoyable and do-able – and best of all – make it yours!
And just between you and me, the trick to creating amazing, meaningful design is really, really simple – just follow your passion and you can’t go wrong.
Join me as I present fortnightly forays into the magical world of design
Jump on board – Live, Love, Design – it’s your time.
YouTube: Cathy Jack Coupland
Whether you are looking to purchase artwork, offer an exhibition space or discuss Cathy’s work, please message Cathy Jack Coupland Artist page on Facebook.
